J to tha M Have the Self-Publishing Blues

This Stuff Is, Like, HARD

self-publishing information

sxc.hu/pygment2

M:  So, I’m considering self-publishing my Ash story

J:  I know it’s been on your mind for a while. It’s not a bad idea. Self-pubbing doesn’t have the same stigma anymore

it’s still tough

and crap. After doing some research to possibly self-pub the oracles, I have a lot of respect for people like Elizabeth Hunter who do it all on their own

M:  we’re jumping in together again

J:  it’s just what we do

There are so many options, too

what used to be considered vanity publishers are now “assistants” to the process

M:  and honestly, the whole stigma thing doesn’t factor into my decision. It’s more about what’s right for me – where I’m at – and the story.

J:  still, it’s easier knowing you’ll get a fair shot

that people won’t immediately set it aside

M:  I think it’s a good story. I just don’t know that it fits into the “formula” that a lot of publishers look for

J:  it does in a way, though

you’re thinking the romance formula

which it does not fit

but the romantic thriller…yes

M:  and I’m not willing to compromise. And I think readers are not only willing to accept non-formula, they like it. I know I do

plus, while a publisher might be willing to look at it despite it being outside the norm, I’m not willing to give up a lot of the rights some publishers want

J:  it really is a give and take. They offer so many things

but they also take

M:  very true

each manuscript and situation is different

J:  My reasons for self-pubbing (or considering it) are more a timing issue, since Morning Star will be ready very soon, too

though, by the time I figure out what the hell I’m doing…

M:  exactly. So many choices and decisions

and while that’s a good thing, it’s also confusing

especially when you’re just in the beginning stages of learning

J:  There are some options for those who want the freedom but not the crazy work

confusing work

M:  yes, so many places offering packages to self-publish, and I’ve heard all kinds of stories, good and terrible

some do all the formatting and distributing

offer cover art and editing services

some take a flat fee, some percentages

some reputable, some not

holy crap

or do you just take it all on yourself and hope you learn as you go, don’t screw up too bad?

J:  that’s what I’m looking at

but whoa

there really is a lot

M:  yeah, whoa

J:  I mean, formatting, distribution, royalties, legal issues

maybe it’s worth finding a company that knows what’s going on

but then you still lose something

that tiny little piece that’s just not your own anymore

M:  or then, what is really the benefit of not having it traditionally published? Where does that line get drawn?

When is one a better decision than the other?

ugh. It’s so confusing

and stressful

I just want to get the story out to as many people who might be interested as I can

and be fair to me, readers, service providers…

J:  well, as a self-published author, you get to make so many more decisions

how much you charge, when to offer it for free

M:  I really like that part

having more flexibility in making it available to the readers

and what I find really cool is you can make changes to the published version at any time

like if you find a whoops, even after the eleventy billion times you’ve gone over and edited

J:  ugh. I hate that feeling

M:  the control you maintain is a pretty big benefit for all the research and uncertainty

and money invested

J:  it is

it’s very inviting

M:  that’s another big thing. With a publisher, you don’t have to invest up front for editing and cover art, formatting and distribution. But you give up control over other things

so many pros and cons to either side. It’s a hard decision.

J:  you know what, though? I’ve paid editors to help me get my shit together before submitting to MSP

it’s an investment you make when you want your book to be as good as possible

I’m willing to go a step further to get the rest of it right

M:  you take your chances with either, sure

a traditional publisher is not a guarantee of a good editor or cover artist, just like hiring one freelance isn’t.

but I think you have a better chance with freelance, because you have choices. You usually don’t with publishers

J:  yes. I’m often gobsmacked at the lack of editing or the terrible cover design on books from big publishers

M: so, it comes down to what’s best for you and the story.

I bet we have lots of people out there with experiences, thoughts, and opinions

we want to hear them!

lay it on us

J:  I’m afraid I’ll just be more confused

but I want to know.

M:  more info, more better

J:  I’m going to get some – more info, that is

M:  You’re so good at that

J:  brb

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The E-Reader Revolution

And Why I’ll NEVER Own One

Guest Post by Eva Pugzlyte

ereader revolution

© Mahroch | Dreamstime Stock Photos & Stock Free Images

Tablets.

Moses was already marketing the stone prototype (second-generation since he broke the first one) of this gadget around Mount Sinai before it was cool. Hipster. Apparently he was hooked on it for forty days and forty nights (gadget dependency was seemingly not a hot topic back then) before he finally got off the mountain and showed it to his followers (and that before Twitter!). Since the Stone Tablets the e-reader has gained a few more electrodes (hence the ‘e’) and millions more who swear by it like the Israelites did by the ten commandments.  Now there’s the Kindle, the Bookeen, the Nook, the Pocketbook, the Kobo and the Sony. Basic, Mini, Touch, Sense, Glo, Pro. The Essence. The iLiad (which ironically was discontinued)  and the eClicto (which ironically hasn’t been discontinued). Then there are the tablets you can use as e-readers and e-readers that you can hook up to Wi-Fi and use as tablets that can be used as cameras, which can be used as coffee makers which can probably navigate satellites.

Wow.

And I’m – I’m equally unimpressed, because in the end all I want to do is read a book.

Ah! Let me finish. An actual book, which is “a set of written, printed and/or  illustrated sheets made of ink, paper, parchment, or other materials, usually fastened together to hinge at one side.” That kind of book.

“But e-readers can store thousands of books in one device, which is perfect for a book worm like you,” you might argue?

Valid point, if not for the fact that I like to physically be surrounded by my books in that creepy porcelain-doll collection sort of way. I love to see their colourful spines snugly stashed on various shelves. I love the double rows. I love the random piles that tend to sprout all over my flat like mushrooms after rain. It makes my home feel inhabited not by just me but also by the characters in those books and the great minds that birthed them. Granted there’s also a few that are the equivalent of that one aunt or uncle who channels North-Korea at family functions (with or without booze), but you love them anyway. Because it’s family.

In addition few things beat walking into a bookstore or a library and knowing that you’re literally surrounded by millions of words. Thousands of e-books on a Kindle will never kindle the feeling of walking in to a place like this: http://www.miragebookmark.ch/images/inside-shakespeare-and-co.jpg and ordering an e-book will never be as satisfying as feeling the weight of the novel you purchased in your hands, nor will you feel the little thrill of being the first to properly open a book,  the cover still rigid from never being used, the pages crisp as you brush your hand over them to set them in that first fold (of hopefully many) until it is pliant and perhaps a bit weathered under your fingertips. Same way an e-reader will never hold the charm of an antique book or even simply a second hand one, perhaps holding a personal inscription or a few incriminating dog-ears, fondly pressed in the pages. It will not give you that slightly mouldy smell of old paper.

You’re probably rolling your eyes at the illusive book smell, but here’s a little fun fact: An international team of chemists has devoted a study to this unique odour of old books and concluded that the smell was “a combination of grassy notes with a tang of acids and a hint of vanilla over an underlying mustiness”. Call me when anyone starts waxing poetic on the scent of an e-reader like that.

Which brings me to the next point. Books are mostly made from organic elements. The paper, the ink, the glue, the fabric, etc. All these compounds react to temperature and humidity, exposure to the environment and even each other as time goes by and release what in the study of degradomics (the science of book-sniffing if you will) is called volatile organic compounds which cause a unique smell. So you see, books are a living organism. They age like we do. The yellowed pages, the different scents they absorb and the weathered edges are the wrinkles etched in our skins.

The story remains, but if you eliminate its physical existence, its body if you will, you are left with a fragrant perfume in an airtight bottle. And then there is the sharing of books which I find somehow intimate, both receiving a book belonging to someone else or lending one out to someone. A friend of mine who spent 6 months travelling the world told me about the practice of backpackers exchanging books as they travelled (both the books and the backpackers). Imagine a manuscript travelling around Vietnam and suddenly crossing paths with you only to leave your side on the sandy beaches of Bali after a short but meaningful love affair only to thrust you in to a new adventure, both on page as in reality.

Imagine making that same trip with an e-reader. It surely is much more convenient. An e-reader offers thousands of manuscripts in one light-weight gadget. It eliminates spilled coffees, crumbs between the pages, reservations at the library or late returns, it eliminates frantic searching for that one quote you read somewhere between page 53 and 734 or the quest spanning four bookstores in one day to find a certain title, it offers font-enlargement, and makes bookmarks obsolete. It saves space in your suitcase and in your cramped flat.

It’s convenient, but then the best things in life often aren’t.

I rest my case. If you need me, I’ll be curled up on the couch with the yellowed pages of The Great Gatsby copy I picked up at a second hand bookstore for €2 last week. It smells vaguely of coffee and has a dog-ear on page 24.

I agree with the previous owner. It’s a good page.

About the Author

Thinker. Dreamer. Independent. Observer. Night owl. Frank. Stubborn. Easygoing on the surface, but shy underneath. Prone to sarcastic remarks. Ticklish. Lover of arts. Foodie. Would never exchange the feel of paper under her fingertips for an e-reader. Often talks in references. Could eat her weight in licorice. Secretly suspects her house is trying to kill her and shall deny every accusation of klutzery on her behalf. Is known to on occasion name inanimate objects and oftentimes can’t decide whether she loves something because it’s beautiful, or whether it’s beautiful because she loves it.

J to tha M: The New Adult Revolution

J and M Plot a New Adult Novel

New Adult genre

© Djma | Dreamstime Stock Photos & Stock Free Images

J: After reading Jeanette Grey, Nichole Chase, and Jennifer Iacopelli, i’m liking the new adult genre

I think I’m going to angle the new book as new adult

M: I’ve read a couple that have been good. Jeanette’s Take What You Want for sure.

but I really enjoy good UST, and a lot of the YA, NA, whatever/A seem to replace the sexual tension with just holy-crap-over-dramatic angst.

J: yeah

they’re all wounded boy/abused girl

hate hate hate then screw

so I pounce when I find one that isn’t, even if it’s too sweet

M: yeah, there’s been a couple I considered checking out that people have raved about, but angst for the sake of angst, just to pull a response from the reader, tends to irritate me

I’m scared I’ll just be annoyed

J: yeah

if it says anything about a dark secret or whatever, I avoid

M: usually just annoys me instead of tugging at my emotions

J: or a hidden past

M: ugh

J: or worse, a dark past

M: the boy is wooooounded

the girl was raped. Ya know, that’s not the only background “reason” for angst, and it’s so overused anymore, which causes its own problems. But that’s a discussion for another day.

J: HIDDEN SECRETS AND DARK PASTS!

alcoholic father

M: all excuses to be a dick

J: exactly

I don’t want to write that

“I’m no good for you. I’m going to kiss/fuck you and then run away forever!”

M: I read one that’s a new adult. It’s selling like crazy on Amazon

Broken Beyond Redemption or Damaged Past Caring or something like that. Probably not that exactly, but you know what I mean.

J: oh no

M: and oi

J: not with a title like that

DARK SECRETS, M

M: it was just stupid

stupid stupid.

PEOPLE DON’T ACT LIKE THAT!

EVER!

J: hahaha

I’m starting to think we should plot out a New Adult book

seriously

and throw in the craziest things we can think of

M: every damaged Alphahole with mommy issues who turns to BDSM and the girl who was raped by her cousin’s brother’s best friends lover saves him with her pure and innocent love

add in slutty best friend with drug problems

who secretly is in love with Alphahole and wants him for herself

J: who likes to dress her up like a barbie doll

oh, yours is better

the guy’s best friend gets a little fresh a little too often with her

and tortured hero beats the crap out of him at a party one night

and she’s all “you kicked your best friend’s ass over me? It must be love!”

and he’s all “whoa, whoa, let’s not use that word.”

M: oh, yes. He has to beat the crap out of everyone. That’s love, not anger issues and violent tendencies

J: and she’s all “I’ll love you if I want to. I just won’t say it. Instead, I’ll mope around for six months while you spiral into a deep depression and take to cutting yourself.”

M: and Tattoos

he has to have Tattoos

capital “T”

J: of course he does

big scary ones

M: because he’s wooooounded

poor little Alphahole

J: but they have to be hidden by a long-sleeve shirt for his day job at a call center

but they’re just fine for his night job as a bar back at the hottest club in town

I mean, his dad gambled away all their money, so he has to pay his way through college somehow

sorry, his dad drank all their money. DARK PAST!

M: yes, he works at a call center saving kittens and rainbows

J: but no one can know about it

M: between beating the crap out of people because he lurves her

J: except the sweet, batty old lady that manages the employees

(comic relief)

M: oh, yes. And, we forgot about the fiery attraction

dueling for dominance tongues

and not knowing where she ends and he begins

J: we can add that in around the dickishness

where it makes the least sense, of course

like after he’s beaten the shit out of someone

M: and flashed his tattoos

J: Tattoos. Capital “T” remember

M: OH!

and he’s in a band

*nods*

J: of course he is

he plays bass

no

bass players are too laid back

he’s definitely the broody lead singer

M: No, moody, sexy lead singer

haha – you just said that

J: sometimes we scare me

I’m gonna go mull our new hero

brb

J to tha M: What We’re Reading

Series, Serials, and Cliffhangers

series, serial novels, and cliffhangers

Dudley Do-Right, created by Alex Anderson

J: so, I’m currently about 50% through the fourth book in Elizabeth Hunter’s series

Elemental Mysteries

and our stalking paid off

she has agreed to a guest post

M: You read three books in a week? Woo-hoo! They must be good

J: um, yes

they’re really addictive

I know I need to read up on The Painting of Porcupine City so our interview with Ben Monopoli doesn’t spoil it for me

so that’s next. I promise

M: That’s one of the things that makes series so fun. If you like them, you can pick up the next.

fun for both the reader and writer to stay in an intriguing world

J: yeah, but I’m not a fan of the cliffhanger thing. There are a few reasons for a cliffhanger, and none are good

the first is that you’re too wordy to fit everything in one book, so you split at a vital point

the second is that you aren’t sure if you created a compelling enough story to keep readers coming back for more

so you have to trick them

M: Some cliffhangers are good, to build suspense, keep the reader wanting to turn the page. I love a good cliffhanger when used like that.

What I’ve found annoying is those books that are written to end on a huge “cliffhanger” for the sole purpose of getting you to buy the next. You get 130 pages for 2.99 and the story just ends in the middle of the scene, so you have to pay another 2.99 for the next 130 pages if you want to read the rest of the story.

And then you find out there are like four “books” in the series like that

to me, those aren’t really cliffhangers. Those are just ending in the middle of a scene.

J: there is that, too

M: There are the serial novels, which is a much better alternative

I mentioned a couple I’m reading a week or so ago

Where you pay one price and get installments automatically delivered to your Kindle

J: I could get behind something like that. Would be like a TV show

M: but you know in advance the (reasonable) full price and when you’ll get the next episode

J: yeah, instead of getting to the end and finding out you have to fork over more money

M: exactly. You can make a fully informed choice from the beginning

J: i love a good series, though. I love an epic story that requires more than one book to tell

M: I wonder if the new interest in the serialized novels is a reflection of the proven popularity of fanfiction. They do follow a similar format

J: I thought that, too

are they all dramatic and soap opera-y?

do you hear “dun dun dun!” in your head when you finish an installment?

M: some are, just like any book

J: She turned to see who was at the door and gasped.

tune in next time!

M: it’s like the ending of a chapter, though. They’re ended that way to keep you turning the page

whether it’s a serial or a traditional book

J: well, I can get behind it because you know what you’re getting when you go in

M:  In that format, a cliffhanger is, I don’t know, more accepted. Expected.

When one just ends only to sucker you into buying the next…I’m not 100% sure how I feel about that, but mostly no likey

J: accepted because you know the rest is coming

I really no likey

and usually enough to abandon ship

M: Yeah. I read one like that recently. Thank goodness the first one was free – which is a whole ‘nother subject, I think. And the story was fairly good, but then, it just ended in the middle of an action scene, and the next book was 2 or 3.99. And the next, and the next.

J: >.<

M: And even though I did like the story and would have liked to read more and see what happened – oh, hell no.

J: I feel you

M: I was annoyed

as both a reader and a writer

J: and I bet a lot of people agree with us

except, of course, the authors who exploit their readers in this way

M: and then there are those novellas – which are really popular right now – that just…end

J: oh, I’m a fan of the novella. bite-size fun

M: I like them, too. I mean, I understand the shortened nature of them and how difficult it can be to get in enough character and story development, but it’s just frustrating, to enjoy a story and characters so much, for the author to have done such a good job with the rest of the story, and then…

wah, wah, wah wahhhhhhh

J: but if you have to end without an ending, you probably should have made it a full novel

M: or, you know, come up with a better ending

J: oh, yeah

or that

what I think is a fun idea are the novellas centered on side characters in a series

M: Oh, I like those, too. It’s like a special surprise bonus to revisit a world you loved and characters you want to know more about. I think it’s cool that ebooks seemed to have opened that up as an option. made it more viable.

Oh, hang on. I need to see who’s at the door

brb

**gasp**

Tune in next week!

On Editing: This Is Soooooo Important, Guys

NaNooooooooooo!

Guest post by ML Gammella

The importance of editing

Posted on fugly.com

November is such a great time.

Then… December happens, which makes me want to scream and shout, so instead I’ll rant *cough* express my opinion here.

I love NaNoWriMo and think it is an absolutely great program.  It brings so many novice and experienced writers together for one common goal. There is so much love and support to get the sometimes elusive 50,000 words.  We all write together during word sprints, write-ins, Skype calls, whatever works to get to the finish line, all while helping and encouraging one another.

For some, NaNo is just something fun to do to see if he or she can actually write 50,000 words in a month. For others, this is a step toward a writing career or a continuation of a writing career. My rant is geared at those people, like myself, who hope and dream of seeing the words they create released to the masses as published authors.

We all know that what we write during NaNo isn’t ready, not by far, for public dissemination. It is hastily written with grammar rules thrown to the wayside, all in an effort to drill away to 50,000 words. It is the time after NaNo that we are supposed to go through and heavily prune those hastily written words to mine the gold that lies within.

That time starts in December, and for most, last for many months (even years!) afterward. We madly delve into our stories, crying over awesome scenes that need to be cut to keep the integrity of the story or to eliminate unnecessary plot holes. Slowly, the story begins to take shape, and yet, still, our stories aren’t perfect.

Yet, around this time of mid-December to January, I start to see announcements by my fellow Nano writers that their self-published novels are available for purchase on Amazon, Smashwords, Createspace, Barnes & Noble, etc.

Wait, what? So quickly?

I have nothing against self-publishing, but I have read MANY a self-published novel and wished I hadn’t. The author was in such a rush to publish that he or she didn’t take their time to make sure it was edited properly. Now, I’m not just talking about grammar issues, but content ones as well. I can overlook a few grammar mistakes, but content or continuity errors create problems. You can get lost in plot holes big enough for my truck-driving husband to drive his 53’ tractor trailer through.  No joke.

There are some really great stories out there, written by some really talented writers, but those stories are lost due to lack of editing (or lack of good editing), whether it be strictly grammar/structure or also content.

I cannot comprehend why anyone who wants to be a serious published author would even remotely consider releasing a book without proper editing.

Proper editing is just not having your friend read it and mark it up (even if your friend is an editor by trade or is a teacher or someone that is ‘in the business’). Proper editing is not just having a trusted beta reader (or readers) look through it and mark it up. Those are steps to proper editing but should not, should NEVER, be the last step before a book is published. Your friend will not be as honest with you as he or she should be, even if they swear that he or she will be brutally honest. It just doesn’t work that way. Beta readers are awesome resources, but they tend to catch the content issues, not the structure or grammar problems.

Proper editing involves hiring a third party, a professional editor, to thoroughly read through your book. Yes, professional editors can be expensive. So can cars. Shop around. You don’t buy the first car you see, do you? Treat editors the same way. Talk to them, find out their prices, their turnaround time. Develop a rapport. A great editor is worth his or her weight in gold.

I can’t say this enough. If you are a writer and you want to be taken seriously, if you want your books to be enjoyed, and if you want to make a career out of writing…

HIRE AN EDITOR.

I was amazed to see fellow Nano writers proudly proclaim that their book was published and ready for purchase.  Wait – the book you just banged out in 30 days with no concern on grammar or editing, you only took a few weeks or a month to edit and you think it’s ready?

It’s practices like this that make readers hesitant to buy self-published books. I’m a reader and a writer, and I will no longer buy self-published books unless they are referred to me by someone else besides the author. I have bought or read too many and have been horrified over the lack of care taken. If you won’t take your work seriously, why should I waste my time reading it?

Have respect for yourself and your writing and have your work professionally edited. Your readers will appreciate it.

**

M L Gammella has been writing on and off since high school, where she was often found scribbling in her notebook instead of following along in class. She finally made the leap to make writing a paying career and began freelancing after being laid off. M L Gammella lives in Ohio with her husband and their three pets. She is currently working on her first novel, a paranormal suspense based in Maine. You can follow her on Twitter@MLGammella.

J to tha M: Spring Cleaning the Brain

Finding Our Passion for Reading and Writing Again

finding passion for writingM:  Ugh. I’m coming out of the winter icks. Been so just bleh lately with all the expectations–mostly my own–and constant struggling to figure out what the hell I’m doing, what I should be doing, blah blah blah.

J:  heh. I’m in a blah mood about the time part of writing this week

well, all the time, really

M:  It just seems like we’re pushing so hard all the time. I’m sad it takes the joy out of reading and writing

but, it’s true for just about everything, so eh

J:  yeah. once anything becomes a job, it’s a lot less fun

M:  I’m going to take a couple weeks and see if I can’t just have fun with the stories and characters again

It’s like spring cleaning for my brain

J:  I need some kind of recharge, too

a reset button or something

M:  I used to get such a good recharge out of reading, but lately, I’ve been more or less forcing myself to read stuff, for whatever the reason, and it’s really blah’d me. So, reading is my personal thing, even if it is “business” related now. I’m not going to force myself to read anything if it doesn’t grab me, just like I’ve always done

J:  that’s exceptionally good

there’s not enough time in the day to read a crappy book

no matter who wrote it

M: and it’s about finding those gems

they’re out there, it’s just holding out until you find them

I’ve found a couple of good ones, but man, it’s depressing to see how many just don’t appeal to me lately

J:  it’s a lack of quality, for one thing

I used to be able to get past anything if it was a good story

but it’s hard to do that anymore

M: I can overlook some things if the story is awesome. Just haven’t found many of those, even

J: perhaps it’s just general discontent. it happens sometimes

M: My own personal tastes, I guess

I’ve found an awesome one every now and again, and those are those gems I’m talking about

J: right. I think that happens all the time, though. I’ve had some big pub books that just lost me

I have an Evanovich in my bag that I keep swearing I’ll finish

but meh

M: I like her Stephanie Plum ones

they’re easy fun reads

J: I kind of feel like I’m reading the same thing over and over, though

this is the Diesel one

the magic series

M: oh, I haven’t gotten into those as much

J: it just feels like Stephanie Plum with magic

and all those thing we pay such close attention to: show vs. tell and active vs. passive

it’s just not there

M: Yeah, I don’t like the Diesel storyline anywhere near as much as the Stephanie ones

I can overlook a lot if the story grabs me enough, but when it doesn’t – yikes.

J: So what isn’t “yikes” lately? Anything amazing? You made abundantly clear how much you loved Qhuinn, so give me one better.

M: I did love Qhuinn. There were some things I would have liked more or different, of course, but overall it gave me the happy sighs like I haven’t had in quite a while. But I’m head over heels for that boy, so having most of the focus on him was…sigh.

I read Ben Monopoli’s book that KC Beaumont reviewed (loved her review), and omg was that just a hell of a lot of fun. I loved it. Loved! I mean, Boots McHenry. That’s just all kinds of absurd awesomeness for a main character name, and the entire story lived up to all that and so much more.

J: I love hearing that!

M: I highly recommend. I went and got his others, started Cranberry Hush, and it’s amazeballs (so to speak, heh) too.

And then I’m reading a couple of serials I’m really enjoying. The stories are released in parts every two weeks until they’re complete, about eight or nine parts, I think. You pay one price and then get the installments automatically delivered to the kindle. Falling for Frederick by Cheryl Bolen and A Hero Lies Within by Patrice Wilton. I’m having fun with them so far.

J: See, Monopoli is a self-pub gem. Proof that awesomeness can happen without a big house. The serials sound like a good idea, too. Maybe small bites are what I need. I should go buy some books…

M: Whaaaa…?

J: I know. I know. I’ve just been waiting for the right book, and Mr. Monopoli wins.

brb

J to tha M: The eBook Revolution

What Would You Pay for an eBook?

how much would you pay for ebooks?

adamr for freedigitalphotos.net

M:  I did something I never thought I’d do

J:  oh, do tell

M:  I’ve always thought how ridiculous it is to pay $14.99 for an ebook and how I’ve never ever done it.

I would have laughed if you said I would up until about a few weeks ago, when I pre-ordered the new Black Dagger Brotherhood book–Lover at Last–out at midnight tonight on Kindle

Qhuinn!

I think a whole shit ton of people are waiting for that little story to appear on their e-reader at 12:01AM

so go ahead and make fun of me being stupid excited for my guilty pleasure

J:  and you paid $14.99 for it?

M:  yes I did

and I’m only slightly ashamed.

but I can’t stand it

J:  you know what, though?

we all pay more money for the things we really want

I mean, compare it to a Wal-Mart handbag or a Coach bag

no one gives a girl the side-eye for buying a Coach bag

$.99 for $14.99

if you’re going to love it, what does it matter?

M:  I lurve him. I seriously do. I haven’t been this giddy over a fictional hero since Jamie Fraser.

It would kill me to know the story was out and I didn’t have it in my hot little hand as soon as possible. Especially since I’m certain it’s not going to be for sale anywhere on the island

I will stay up all night and read it

J:  well, the fact of the matter is that some authors are the Coach bags of the publishing world

Coach charges so much for bags because people are going to buy them

some publishers charges so much for ebooks because they know people will effing buy them

people can roll their eyes if they want to, but they have their own “must haves” that they’ll pay for

so if you must have Qhuinn (omg, did I spell that right?), then by all means

and no need to be ashamed

I should probably also mention that I don’t even have an eReader

and when I do read, it’s usually a paper book

but that I have zero qualms about paying for the hardback version of a much-coveted book at the stroke of midnight the day it’s available. I have before, and I will again

 M:  hardback is different, though

there’s some cost involved in producing, shipping, etc. those. Not so much for the e-versions

J:  no, but in the end, it comes down to what you want

M:  I didn’t have an ereader until last Thanksgiving. I got a Kindle Fire, and I love it. I mostly got it so I can read in bed at night without having to turn on a light and disturb hubs when he’s actually home.

As much as I do like reading a book, there’s something just really exciting about pressing a button and instantly having access to a story

especially when he and I have always lived a million miles from nowhere. It’s a planned outing to go to any bookstore

and then, when we moved…oh, boy. All my books. Boxing and then paying per pound to ship them across the country.

Not to mention, I can carry over one thousand books in my purse when I travel. Don’t have to pick and choose and then lug them all over with me.

J:  I’m honestly afraid if I had one, I’d never get anything else done

M:  I think it’s opened up a whole new world

Good one for readers and writers, maybe not so good for publishers, booksellers, libraries. I’m not entirely certain how much it’s affected them.

J:  with the decreased overhead, it seems as though ebooks would be a good thing for publishers

all the same preparation goes in, but fewer materials are needed

of course, they also have to have people on staff who can format for ebooks

probably more staff needed for that than for setting it once and going to print

I don’t yet know how formatting is different for each epub type

can you just set it once and it works for kindle, nook, etc.?

M:  Pretty sure each is a different format

it has affected booksellers, though, as evidenced by Borders and Barnes & Noble, the neighborhood bookstores

it just seems the world is always change, adapt, move forward, or die

I’m kind of getting the same vibe from the Big Six publishers that was hanging around the Big 3 automakers, and look what happened to them

J:  that was a point Nathan Bransford made on his blog recently

that as an agent, it’s his job to sift through what’s on his desk for the books that will be profitable. How many books throughout history were rejected when they might have been classics? World changers?

the ebook and self-pub phenomena (both separate and combined) have taken that power away from publishers and agents and given it to the readers

including those readers who would pay $14.99 for an ebook

sure, there’s the chance you’ll pick up something self-published that lacks in quality

but it’s the same for anything from a big six anymore, too

I do think an established author with a reputation for quality has a better chance of pulling in such prices for an ebook than a debut self-pubber

there is a big difference there

M:  oh, yes, but that’s more established reputation. that can be either self pub or traditional

people are less willing to spend money on anything they aren’t sure about

J:  would you have paid $14.99 for JR Ward if you hadn’t read the rest of the series?

M:  no, but I’d spend $14.99 on a self-pubbed author in the same position

If I’d read their books and fell in love with the story or character–but again, that’s more about experience and reputation, which isn’t exclusive to any publishing format

J:  really, it comes down to an individual’s feelings

and what they want to spend their money on

while one person is astonished at a $14.99 price on an ebook, the next is just excited they can read it at all

M:  I’m a little of both

I’m a serious goner for this boy. I cannot wait for him to get his man

J:  oh!

this is that one

You’ve been excited about this one for a while

M:  Monday night, baby

midnight

J:  I hope it’s everything you hope for and more

M:  my first $14.99 ebook. Likely won’t be my last. I’m hooked on the ereader.

J:  I’m still resisting. I’m afraid I’d disappear into a black hole and you’d never see me again

M:  hey, if it gets you to read, it can’t be a bad thing

as much as I read, if it hasn’t sucked me in…

Speaking of sucking me in…Going to go ogle the cover and pine for a few more hours until it magically shows up on my kindle.

brb

or not 🙂

How much would you pay for an ebook? Are you excited about JR Ward’s upcoming release? Does Nathan Bransford blow your mind with his wisdom? Let us know!